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Artists around Mobile and surrounding areas are getting ready for the first of four outdoor art market days that will take place in Downtown Mobile. We have a growing list of participants including painters, printmakers, folk artists, potters, jewelers, glass artists, sculptors, and more.
For more info and updates in coming weeks, please visit our website/blog: http://artmarketdaymobile.blogspot.com/
Hope to see you there!
Here are a few I’ve been working on that are still very much in progress. One has an iris design and the other, bay magnolia. After studying a subject, whether it be a peacock feather or a particular flower, and making my sketches, I visualize the design layout then carefully carve it into the surface of the “leather hard” clay.
Carving a design into clay is much different than drawing or painting it. The positioning of the tool initially can be tricky and carving, like anything else with pottery, takes practice. After you spend all that time and effort making that pot — throwing, trimming, and waiting for the clay to be just the right consistency– you have a lot invested and you don’t want to mess up. Once you lay your tool into the clay and make a cut, there is no going back or correcting it, so extra care needs to be taken.
After the carving is complete, the pot is left to dry usually for about a week or until it is “bone dry”. It is then bisque fired, glazed, then fired raku kiln. (Please see my post from July 18th for a description of the raku process).
I will try and post pictures of these pots again once they have been glazed and fired.
Starting back in the early 90s, in the early days of Clayart and various pottery newsgroups, there was a group of us who used to log onto the #pottery channel on mIRC, spending long hours happily clicking away at the keyboard talking about anything related to clay, pottery, glazes, firing, kilns, design, life as a potter, apprentices, etc etc etc.
One of the people I haven’t lost touch with from the channel is Rusty Wiltjer (aka Grulox). Rusty has been potting for over 35 years now and is one of the more technically capable potters I know.
For the last few years, Rusty has focused on developing and producing his handmade sinks, including his pedestal, vessel, and self-rimming models. They are all individually made on the potters wheel, glazed, then high-fired in his gas kiln . I’ve seen a lot of sinks potters have tried to make out there and .. well, there are handmade sinks, and there are handmade sinks. Rusty’s a precision thrower and his sinks are thrown well, designed well (including back-flow), and are finished well.
When I visited his site yesterday I was pleasantly surprised at the variety of clay drums he now has up …and each with a sound clip! Its amazing how a slight variation in vessel shape can affect the tone and pitch. Did I mention Rusty also drums professionally and has on and off since he was a kid? For some time now he has been having a weekly drum gathering session at his house where a bunch of like-minded percussionists (I assume all on handmade or primitive drums?) get together and just jam.
Rusty’s studio is nestled just outside the town of Waterford, Maine, about one hour north of Portland. If you would like to find out more about his sinks, drums, and pottery, or would like to contact him yourself, please feel free to check out his web site www.wiltjerpottery.com.
Here’s a picture of Rusty playing a live performance with singer songwriter Kristen Short. (Nice bandana eh?)